I take a few moments at the beginning of this week’s segment for WBAI 99.5FM’s Hour of the Wolf to address host Jim Freund’s calling me out for my pronunciation of the word “erudite” during last week’s reviewof DIVERGENT. Nothing contentious, mind, just a clarification.
Then, it’s time to let the flood commence. A literal flood, yes, since we’re talking about Darren Aronofsky’s new epic fantasy film,NOAH. But also a flood of praise, since this mix of visionary filmmaking and insightful drama, courtesy of Aronofsky’s iconoclastic instincts, takes mainstream film to places where most big-budget releases fear to tread. Click on the player to hear the review.
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Sooner or later, it had to happen. Three months into 2014, we finally move beyond the execrable and the mediocre, to something imaginative, exciting, and just flat-out worthy of praise. NOAH allows director Darren Arnofosky to apply his characteristically iconoclastic vision to the classic Bible tale, transforming the historic setting into a fantastic world where fallen angels walk the earth in the form of lumbering rock monsters, technology has advanced enough for bear traps and projectile weapons, and the humble, pious man charged with ferrying the world’s beasts and birds safely through the watery manifestation of the Lord’s wrath becomes, courtesy of Russell Crowe’s performance and Aranofsky’s incisive read of the material, a conflicted hero tasked with determining how much of God’s judgement the Creator expects him to fulfill by his own hand.
Theofantastique.com’s John W. Morehead joins Spotlight regulars Steve Biodrowski, Lawrence French and Dan Persons as they discuss Aranofsky’s visionary approach to the story, explore what the film has to say about the nature and demands of faith, and look into the political controversies the film has stirred up. Click on the player to hear the show.