It’s the rare film that comes along and totally redefines the medium, but such a film is BIRDEMIC: SHOCK AND TERROR. From its striking visual style to its Oscar-worthy performances to its dazzling special effects to its powerful, environmental subtext, this tale of a small, California town enduring the wrath of a vengeful Mother Nature — in the form of merciless attacks by flocks of deadly birds — is no mere light entertainment, but a truly life-changing experience, as immersive as AVATAR, as revolutionary as 2001: A SPACE ODYSSEY.
Andrea Lipinski and Kevin Lauderdale join Cinefantastique Online’s Dan Persons in a sober, critical analysis of this landmark film, analyzing how director James Nguyen has taken the lessons learned from his spiritual mentor — Alfred Hitchcock — and exceeded the master in every regard. Click on the player to hear the podcast, and discover how the pantheon of cinema greats — from Griffith to Scorsese; from Eisenstein to Kubrick — will soon have a new name added to its ranks.
At first glance, it doesn’t seem like there’d be much intersect between HUGO — the fanciful film based on Brian Selznick’s vividly illustrated novel, The Invention of Hugo Cabret — and director Martin Scorsese. It’s set in a Parisian railway station circa the 1930’s, so there’s little opportunity for Brooklyn accents; it’s about an orphan boy (Asa Butterfield) who tends to the clocks in that station while hiding out in its secret passages, so there’s little chance we’ll be seeing Joe Pesci kick someone’s ribs in; and it’s driving force is an automaton that contains within its works a secret about the station’s not-so-kindly toy vender, Papa Georges (Ben Kingsley), so forget about hearing any of the traditional, four-letter-word-laced dialogue this time around. It’s only when you find out what that secret is that you realize not only why Scorsese is the perfect choice for this film, but why this may be the film he’s been waiting his entire career to make. beabetterbooktalker.com‘s Andrea Lipinski joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to explore how a tale about the founding father of fantastic film has stirred a legendary director to create his sweetest and most enchanting work, and how it in turn pays tribute to those who seek to instill the sense of wonder in audiences around the world.
Also: Andrea gives her take on THE MUPPETS. Plus: What’s coming in theaters.