Following up on the previous CFQ Spotlight Podcast devoted to Martin Scorcese’s HUGO, the Cinefantastique crew of Dan Persons, Lawrence French, and Steve Biodrowski – joined by special guest Andrea Lipinski – blast off into the fabulous fantasy world of George Melies. The special effects pioneer and cinema magician of the early silent era was the first to realize the potential of movies imbued with a Sense of Wonder, using the camera not to capture reality but to create dreams writ large on the silver screen.
Also on the table for discussion during this Round Table: upcoming 3-D theatrical films and recent home video releases.
At first glance, it doesn’t seem like there’d be much intersect between HUGO — the fanciful film based on Brian Selznick’s vividly illustrated novel, The Invention of Hugo Cabret — and director Martin Scorsese. It’s set in a Parisian railway station circa the 1930’s, so there’s little opportunity for Brooklyn accents; it’s about an orphan boy (Asa Butterfield) who tends to the clocks in that station while hiding out in its secret passages, so there’s little chance we’ll be seeing Joe Pesci kick someone’s ribs in; and it’s driving force is an automaton that contains within its works a secret about the station’s not-so-kindly toy vender, Papa Georges (Ben Kingsley), so forget about hearing any of the traditional, four-letter-word-laced dialogue this time around. It’s only when you find out what that secret is that you realize not only why Scorsese is the perfect choice for this film, but why this may be the film he’s been waiting his entire career to make. beabetterbooktalker.com‘s Andrea Lipinski joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to explore how a tale about the founding father of fantastic film has stirred a legendary director to create his sweetest and most enchanting work, and how it in turn pays tribute to those who seek to instill the sense of wonder in audiences around the world.
Also: Andrea gives her take on THE MUPPETS. Plus: What’s coming in theaters.