Speaking to director Joe Johnston, it appears that one of the themes of the movie is that the Super-Soldier serum tends to bring out the subject’s inner self, transforming the good-hearted Steve Rogers (Chris Evans) into the heroic Captain America, and the Nazi Johann Schimdt into a malignant monster.
This paralleling of Captain America and the Red Skull was also seen in the barely released 1990 CAPTAIN AMERICA film, but Johnston says in the article he never saw that version.
Originally in the comics, the first Red Skull was an American Nazi sympathizer/agent named Maxon who simply wore a mask to conceal his identity.
Eventually his supposed spymaster, the “original” Red Skull was introduced. He was supposed to be Adolph Hitler’s personally-trained protege, the ultimate Nazi—bizzarrely costumed and masked to help instill terror in his subordinates and victims. So good was he at this work, it was said that Hitler himself began to fear the Skull.
Like the Steve Rogers Cap, he survived into the modern day via suspended animation, his name disclosed in time to be the non-descript Johann Schmidt.
During the cold war another Red Skull, retroactively revealed to be the Communist agent Albert Malik, assumed the role. He fought a retconned Captain America successor, and eventually caused the deaths of Peter Parker’s secret agent parents.
According to Film Music Reporter.com, Alan Silvestri (JUDGE DREDD, THE A-TEAM ) will write the film score for CAPTAIN AMERICA: THE FIRST AVENEGER.
This was apparently an unexpected choice, as it is the first time the compser has worked with director Joe Johnston (THE ROCKETEER).
Alan Menken (LITTLE SHOP OF HORRORS) is reportedly also on board, presumably to write songs for Steve Rogers’ (Chris Evans) stint with the USO. Perhaps he might also write some period “source” music.
Until versions that fit our coding, and without added comercials are available, here’s the CAPTAIN AMERICA: THE FIRST AVENGER and THOR Super Bowl spots, via Yahoo Movies.
The first real look at CAPTAIN AMERICA is pretty impressive, with seamless appearing FX putting Chris Evan’s head on a shorter, frail-looking body.
The THOR footage is fun, too— giving us the “Whosoever holds this hammer, if he be worthy, shall possess the power of Thor” voice-over as Chris Hemsworth locates Mjolnar, and a brief shot of Thor in his winged battle helmet.
Videos may play with or without commericals.
According to Marvel head honcho Kevin Feige:
“Scripts had been developed that took place half in World War Two, half in the modern day and none of those scripts were particularly successful because the costume ended up overshadowing the man. So we finally said, ‘If we could make a Captain America movie any way we wanted to make it, how would we make it?’ Well, we’d set the entire movie in the past, in that period, with all of the Marvel trimmings. And so we made the fun, kick-ass Captain America movie we wanted to.”
Director Joe Johnston said: “I’ve always loved Raiders (of the Lost Ark) and the tone that it had… It was period but didn’t feel like it was made in the period. It felt like a modern-day film about the period, which is what we’re doing on CAPTAIN AMERICA. It will not feel like a war movie. It’s funny where it needs to be and emotional where it needs to be and serious and full of action.”
Star Chris Evans is dquote as saying “I think he’s the ideal human… Not just American. It’s what being a good person is. Steve’s managed to overcome all the shortcomings he’s had in life and he does what’s good and what he believes is right.”
Regarding Kevin Feige’s comments about Captain America’s costume, I really have to say: “WTF?” Are you sure you get the basic concepts of costumed superheroes? NEVER be ashamed, worried, or self-concious about their iconic, established and time-honored appearance. Because if you are ambivalent, the attitude will likely be reflected in the film, to its detriment.
Worry about the plot, acting and truthfulness to the published and popular source material, and not so much the material of the costume.
Sure, make the costume the best that you can, avoid shiny spandex if possible, use a darker or muted color pallete if you must, but don’t get hung up on the “will the costume be acceptable to a non-comic book audience?” question. In my view, the believability of the characters’ actions, motivations and story is what’s important, even to the the casual movie-goer.
So much of what is coming out of the makers of this Captain America film seems so tone-deaf towards the character and his long-time appeal, and full of a desire to distance themselves from the comic book — particularly the original, patriotic aspects of this intensely patriotic character, created intentionally to present and espouse all the best ideals of the country.
Hopefully, all this apparent avoidance and equivocation we’re hearing from some of them regarding the source material and the character will not undermine the finished film.
(Stepping off soap-box, now.)
The full story will be featured in the March issue of Empire Magazine, which should hit stands in the UK Feb. 3rd, and probably by week’s end in the US.
CAPTAIN AMERICA: THE FIRST AVENGER is due in theaters July 22nd, in 2-D and post-converted 3-D.
From The L.A. Times, here’s the first official picture of Chris Evans as Cap in an action scene from Marvel Entertaiment’s upcoming CAPTAIN AMERICA: THE FIRST AVENGER.
The outfit, properly photographically graded, is starting to grow on me a bit, I must admit.
Look for Captain America to hit the screen July 22nd.
Scanned from Entertainment Weekly, via SuperheroHype, here’s a new shot of Chris Evans as CAPTAIN AMERICA: THE FIRST AVENGER.
Very Ultimate Captain America, I guess. The ‘hero’ costume doesn’t look much better on Eveans than the ill-fitting one did on his stuntman.
What was wrong with the idea of a form-fitting chain-mail shirt, anyway? They were actually tried in World War I & II. And why is it powder blue, and not say, a dark navy/indigo, like the America flag? Grumble…
Gotta admit those Hydra goons (I assume) have a definite Jack Kirby vibe to them.
Entertainment Weekly’s latest issue features the first officially released shot of Chris Evans from CAPTAIN AMERICA: THE FIRST AVENGER on its cover.
Fans of the character has been worried about the former “Human Torch” actor playing Cap, and it turns out that Chris Evans shared many of those concerns. He siad he turned down the part three times.
“At the time, I remember telling a buddy of mine, ‘If the movie bombs, I’m f—-ed. If the movie hits, I’m f—-ed!’”
Finally, he went to a meeting with Marvel executives and director Joe Johnston (THE ROCKETEER, THE WOLFMAN), was impressed by their plans and approach to the film, and wound up signing a six-picture deal.
“I was just scared. I realized my whole decision making process was fear based, and you never want to make a decision out of fear. …I can’t believe was almost too chicken to play Captain America.”
The issue will feature a set visit to the production, shooting in England, and more from Evans and Joe Johnston, who sees Steven Roger as an ‘everyman’ character whose life and pyhsical form is suddenly transformed. Johnston observes with understatement that it’s bound to create “some interesting personal issues.”
The issue hits newsstand this Friday, October 29th.
Here’s a clip of Chris Evans (or his stunt double) chasing after a fleeing taxi cab at the Manchester, England location shoot for CAPTAIN AMERICA: THE FIRST AVENGER.
via youTube and Blastr.com
Celebrity-Gossip features some stills from the Manchester filming of CAPTAIN AMERICA: THE FIRST AVENGER.
They depict Haley Atwell as Peggy Carter(featured in the explosive film clip yesterday) and a bulked-up Chris Evans as Steve Rogers.
Evans seems to be wearing prosthetic rubber foot covers to protect his real bare feet from being injured in a street scene in which he chases after a fleeing taxi.
See additional pictures at the link above.
The U.K.’s Daily Mail is featuring the first looks at what is at least one of the costumes of the lead character in CAPTAIN AMERICA: THE FIRST AVENGER.
A group of photos from a location shoot in a wooded road near London show Chris Evan’s stunt double decked out in a World War Two version of the costume, complete with ‘winged’ crash helmet, riding what they identify as a US Army Indian motorcycle.
The costume is pretty baggy, and for some unguessable reason in a powder blue, rather than the darker blue shown in the design sketches. In my opinion, Cap needs to be in a very dark blue, more like the indigo used in the American flag. The lighter, “process blue” generally used in the comics is really due to the needs of cheap and clear 4-color printing, rather than other aesthetic concerns.
The reverse angle of this photo, which can be seen at the Daily Mirror site, shows that Captain America is carrying a holstered pistol, and has some kind of rifle in a cycle-mounted holder.
Also to be seen is a neat looking period roadster, complete with WWII-era ‘black-out’ covers on the head lamps, and these high tech cycles ridden, it seems by the Red Skull’s minions.
UPDATED: On closer inspection, the insignia on the motorcycles seems to be that of HYDRA, the international nihilist terror organization that Captain America and SHIELD would face in the 1960’s. Apparently, in the film the Red Skull creates HYDRA, and in the comics has been retconned as one of the founders.