2nd Annual Wonder Awards Winners

Zoe Saldana is the Wonder Awards choice for Best Actress, in the Best Pic winner, AVATAR.
Zoe Saldana is the Wonder Awards choice for Best Actress, in the Best Pic winner, AVATAR.

It’s Sunday, March 7, and everyone is wondering what the winners will be. Well, wonder no more, because here are the official winners of this year’s Cinefantastique Wonder Awards. Oh sure, other people are tuning into the Oscar telecast to see whether Sandra Bullock takes home an Academy Award, but for aficionados of horror, fantasy, and science fiction cinema, the Wonders are the awards that really matter, because they offer a chance to recognize great films that are often denied Academy Award nominations because of their genre affiliation.
Of course, this year is a bit of an exception, because the Academy of Motion Picture Arts and Sciences has nominated two science fiction films for Best Picture, AVATAR and DISTRICT 9, along with one animated fantasy, UP. With several other Oscar nominations in technical categories, the genre has at least a fighting chance of winning some recognition from Academy voters.
Nevertheless, the Wonders are the true measure of achievement in the genre, voted on by experts with a life-long love of horror, fantasy, and science fiction – and more important, voted on by those imbued with that all-important Sense of Wonder.
BEST HORROR, FANTASY, OR SCIENCE FILM

  • AVATAR

BEST DIRECTION IN A HORROR, FANTASY, OR SCIENCE FILM

  • James Cameron for AVATAR

BEST SCREENPLAY FOR A HORROR, FANTASY, OR SCIENCE FILM

  • Neil Blomkamp & Terri Tatchll for DISTRICT 9
  • Pete Docter, Bob Peterson (story by Docter, Peterson & Thomas McCarthy) for UP

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A HORROR, FANTASY, OR SCIENCE FILM

  • Saoirse Ronan in THE LOVELY BONES

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A HORROR, FANTASY, OR SCIENCE FILM

  •  Robert Downey Jr in SHERLOCK HOLMES
  • Sam Rockwell in MOON

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A HORROR, FANTASY, OR SCIENCE FILM

  • Vera Farmiga in ORPHAN

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN HORROR, FANTASY, OR SCIENCE FILM

  • Jackie Earle Haley in WATCHMEN

BEST SPECIAL EFFECTS IN A HORROR, FANTASY, OR SCIENCE FILM

  • AVATAR

BEST MAKEUP IN A HORROR, FANTASY, OR SCIENCE FILM

  • MY BLOODY VALENTINE

BEST PRODUCTION DESIGN IN A HORROR, FANTASY, OR SCIENCE FILM

  •  Henry Selick for CORALINE

BEST CINEMATOGRAPHY IN A HORROR, FANTASY, OR SCIENCE FILM

  • Mauro Fiore for AVATAR

BEST EDITING IN A HORROR, FANTASY, OR SCIENCE FILM

  • James Cameron, John Refoua, Stephen E. Rivki for AVATAR

BEST MUSIC IN HORROR, FANTASY, OR SCIENCE FILM

  • Michael Giacchino for STAR TREK

EDGAR G. ULMER AWARD FOR ACHIEVEMENT BY A HORROR, FANTASY, OR SCIENCE FILM

  • MOON

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The Lovely Bones: Peter Jackson comments & Critical Reaction

Cinematical’s Todd Gilchrist interviews Peter Jackson about adapting THE LOVELY BONES to the big screen. Jackson relates that the thinks Alice Sebold’s novel tells the story in its purest form, and no film adaptation will ever compete with that, so the film had to be something different:

The Lovely Bones is a wonderful puzzle, it’s a terrific book that affects you emotionally, but the book doesn’t have a structure that immediately makes a film obvious in your mind. The book affects you on an emotional level, not a story level as such, and you delve into it and as a filmmaker you figure out a way in which you can tell the story on film as I said at the very beginning, not necessarily the perfect way, and not the way that other people would do it. You take 20 different filmmakers and give them a book like this – any book, really, but especially Lovely Bones – and you’ll have 20 completely different films, which is interesting. So the idea of certainly doing something that was a challenging new topic was absolutely of great interest to us.

Early reviews indicate that many critics feel Jackson and his collaborators on the screenplay were unsuccessful in capturing the heart and soul of the book, offering empty special effects spectacle instead. Over at the New Zealand Herald, Alistair Gray offers up a sampling of reactions, including this from Associated Press reviewer David Germain:

“The spectacle Jackson creates is showmanship, not storytelling, distracting from the mortal drama of regret and heartache he’s trying to tell.”