It’s another week’s worth of horror, fantasy, and science fiction film reviews at Cinefantastique’s Black Hole Ultra-Lounge Podcast. In episode 5:4.2, Steve Biodrowski exorcises HERE COMES THE DEVIL, a Video on Demand opus from writer-director Adrián García Bogliano; Dan Persons stakes Dario Argento’s DRACULA, the Italian filmmaker’s eccentric variation on Bram Stokers immortal vampire; and Lawrence French recalls THE COMEDY OF TERRORS, the Gothic-themed spoof starring Vincent Price, Peter Lorre, Basil Rathbone, and Boris Karloff.
Also included is the usual rundown of the week’s home video reviews, including FRANKENSTEIN CREATED WOMAN (1967) and DR. JEKYLL AND MR. HYDE (1922). And don’t forget: after all the reviews are done, stick around for the “after-show” – in which the recording software continues to capture the musings of the three podcasters as they try to figure out whether the giant praying mantis in Argento’s DRACULA is related to the bee in Universal Pictures’ classic black-and-white version of DRACULA (1931).
This week, Netflix added a bloody barrel-full of horror movies from the 1960s and ’70s to their list of titles available for Instant Viewing. Many of these are classics made by Hammer Films in England or by American International Pictures in the U.S. In some cases, the titles are not available on DVD, so this is a much-needed opportunity for fans to have access to them.
Here is a brief rundown:
THE COMEDY OF TERRORS: a 1963 AIP production, with horror stars Vincent Price, Peter Lorre, Boris Karloff, and Basil Rathbone sending themselves up.
THE CRIMSON CULT: a weak 1968 British effort, distinguished only by the presence of horror stars Barbara Steele, Boris Karloff, and Christopher Lee (not on DVD).
DR. PHIBES RISES AGAIN: Vincent Price is back as the abominable Doctor, this time outracing a rival (Robert Quarry) for the secret of eternal life.
HANDS OF THE RIPPER: a 1917 Hammer horror in which the spirit of Jack the Ripper may live on in his daughter (not on DVD).
THE MASQUE OF THE RED DEATH: Vincent Price stars as Prince Prospero in this, the best of Roger Corman’s Poe adaptations.
THE RAVEN: an amusing 1963 horror-comedy from Roger Corman, with Vincent Price, Peter Lorre, Boris Karloff, and Hazel Court.
TALES OF TERROR: a triptych of Poe tales from Corman, with Price, Rathbone, and Lorre.
THEATRE OF BLOOD: Vincent Price plays a Shakespearian actor out to kill the critics who denied him an award. Ghoulish, bloody, and funny.
TOMB OF LIGEIA: Corman’s 1965 swan song to the Poe cycle is another fine effort, this time with an emphasis on doomed romance, with Vincent Price and Elizabeth Shepherd.
THE VAMPIRE LOVERS: a 1970 Hammer production based on J. Sheridan LeFanu’s Carmilla, starring Ingrid Pitt as the eroticaly charged vampire countess.
VAMPIRE CIRCUS: a 1972 tale of a travelling circus that arrives at a town quarantined by a plague, this is one of the best Hammer films from this era; it pushed the envelope, moving from sexual innuendo to actual sex (not on DVD).
The key titles here are HANDS OF THE RIPPER and VAMPIRE CIRCUS, due to their lack of DVD availability; these are truly worth checking out. THE CRIMSON CULT is also not available on DVD, but it is of lesser interest.
So far, I have sampled only a portion of DR. PHIBES RISES AGAIN. The picture quality (with a high-speed internet connection through a Roku box to a high-def television) is quite good but clearly not up to the level of a Blu-ray disc – closer to DVD. UPDATE: I finished watching the DR. PHIBES sequel and I am pleased to say that the version shown on Netflix includes the correct music at the end: Vincent Price singing “Somewhere Over the Rainbow.” DR. PHIBES RISES AGAIN is one of many AIP films that suffered soundtrack problems when originally released to video, with original cues replaced by alternate tracks. In this case, the effectiveness of the ending was totally ruined by the use of inappropriate music, so it is nice to report that the this problem has not been repeated here.