OBLIVION & THE LORDS OF SALEM: CFQ Spotlight Podcast 4:16

Tom Cruise confronts the unknown in OBLIVION.
Tom Cruise confronts the unknown in OBLIVION.

OBLIVION is a fun, state-of-the-art, big-studio science fiction adventurer, action-packed and, under the direction of Joseph Kosinski, quite beautiful. That, in its telling the tale of post-apocalyptic caretaker Tom Cruise discovering his alien-war-ravaged Earth suffered its wounds for reasons other than he was told (with Morgan Freeman doing for the Morpheus role what he previously did for penguins), the film isn’t much more than an assemblage of well-established science fiction tropes shouldn’t be an impediment to enjoyment — at a time when studio films seem to have a problem getting a basic story across, coming across a corking-good adventure is not something to sneeze at. Come join Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons as they debate the pluses and minuses of the film, and once again pledge their troth to Stanley Kubrick.
Also: Steve and Dan discuss Rob Zombie’s moody, new horror film, THE LORDS OF SALEM. Plus: Nothing coming to theaters next week.

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Rob Zombie & Sheri Moon Zombie: The CFQ Interview

Sheri Moon Zombie gets put through changes in THE LORDS OF SALEM.
Sheri Moon Zombie gets put through changes in Rob Zombie's THE LORDS OF SALEM.

Musician, moviemaker, iconoclastic fan, Rob Zombie has built a formidable rep for himself by taking the horror genre and turning it to his own, unique vision. Now, after such wild rides as THE DEVIL’S REJECTS and HALLOWEEN, he ventures into new territory, telling a more nuanced tale of a New England DJ facing a hellish future when an accursed record introduces her to THE LORDS OF SALEM.
Dan Persons sits down with Rob and wife/star Sheri Moon Zombie, and the result is an energetic, off-the-cuff conversation incorporating, but not limited to, Rob’s views about reaching back to the roots of horror for his own work, the challenges of steering a low-budget project to a successful conclusion, and why there can be very little difference between actors stepping onto a set and high noon in Dodge City.

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