Every now and then, we pause in awe of the people we’ve had the opportunity to spend time with. Doug Trumbull, John Kricfalusi, and Paul Verhoeven in earlier years, Armin Shimerman and Frank Oz more recently — now it’s Martin Landau’s turn, and we couldn’t be happier.
In an extended and wide-ranging interview, we got a chance to discuss the length and breadth of Martin’s career. In the course of talking about his roles in NORTH BY NORTHWEST, MISSION: IMPOSSIBLE, and his Oscar-winning portrayal of Bela Lugois in ED WOOD — and much, much more — Martin provides insights on the art of acting, shares anecdotes from the set, and talks about the sometimes seamy politics that drive the film industry. It is, all told, a fascinating exploration of the life of an actor — click on the player to hear the show.
FRANKENWEENIE is about resurrections in more ways than one. While the 3D, stop-motion animated tale, in glorious black and white, centers on a young Victor Frankenstein (here a (relatively) normal suburban kid rather than a deluded doctor) jolting his beloved dog Sparky back to life after a tragic car accident, with serious repercussions when his classmates get in on the revivification business themselves, for director Tim Burton, it’s also an opportunity to dip into his past, adapting the story from an early, live-action short, and bringing in many key players from earlier Burton films to contribute as voice performers. Whether the expansion to feature length and the addition of 3D goggles justify the nostalgia trip is something that Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons discuss at length in this week’s review (as well as pledging their eternal devotion to that most hallowed of cinema traditions, the monster rampage).
Then, Larry talks about a new, stop-motion exhibit at the Disney Museum, Steve surveys what’s new in L.A.’s Halloween haunts this year, and Dan runs down what’s coming to theaters next week.
Click on the player to hear the show.
The feature film version of 9 – expanded from Shane Acker’s earlier short subject – is one of the most amazing visual experiences you will enjoy inside a cinema this year – for about the first ten minutes. Acker immediately introduces you to – and immerses you in – an imaginative fantasy world – dark, depressing, and dangerous. After that, ennui rapidly sets in as the screenplay stumbles about in search of a coherent story to take place in this world, and the film winds up being a major disappointment, inferior to the source material and unable to live up to the promise of its own coming attractions trailer.
The problem is not so hard to identify. Much as I hate to go old school on a film that strives mightily to offer an innovative vision, the simple fact is the 9 fails in all the areas they teach you about in Writing 101: plot, characterization, structure. Most importantly, the script never does a good job of establishing what, exactly, is at stake for the inhabitants of this post-apocalyptic future. The little burlap androids are menaced by a robotic predator that has taken some of their comrades, but it is not clear that defeating the monster is going to lead to a new and better life for the survivors, and as the body count rises, one inevitably wonders whether their quest is worth the effort.
As befits a film whose title character is simply “9,” there is little personality given to the humanoids. The one-note characterizations include cowardly and courageous, and there is little to distinguish #9 himself except that he is voiced by Elijah Wood. There is no development or shading, not even a surprising facet that emerges during the course of the story. The failing here is most obvious in the case of Christopher Plummer’s #1: In the trailer, when you hear him say that sometimes “fear is the appropriate response,” it packs a wallop because it sounds out of character, and you wonder what could have driven him to panic. In the film, #1 is simply afraid from start to finish, so his line of dialogue, far from a disturbing change of pace, is a piece of ho-hum expectedness.
Thankfully the computer animation is beautiful. The backdrops are impressively rendered, offering a memorable vision of a blasted world, all dilapidated buildings and refuse. The 9 burlap humanoids have something vulnerable and pathetic about their appearance that inspires sympathy, even if their personalities do not. (They also recall the wide-eye loser of MORE, writer-director Mark Osbourne’s excellent 1998 stop-motion short subject.)
It is altogether unfortunate that this wonderful vision is put in service of a slim storyline that is little more than a fragmented series of vignettes adding up to less than the sum of their parts. 9 looks like one of the great fantasy movies of all time but looks, as they say, can be deceiving. Perhaps too often we hear critics carping about great production values wasted on weak writing, but in this case the cliche is all too true. 9 (2009). Directed by Shane Acker. Screenplay by Pamela Pettler, story by Shane Acker. Voices: Elijah Wood, Jennifer Connelly, Christopher Plummer, Martin Landau, John C. Reilly, Crispin Glover, Alan Oppenheimer, Tom Kane, Helen Wilson