Laserblast 4.4.2: Frankenweenie, John Carter, Iron Sky, Homicidal

laserblastfrankenweeniejoh copy
Welcome back to another edition of the Cinefantastique Laserblast Podcast, exploring the highways and byways of Horror, Fantasy, and Science Fiction Films on Home Video – Blu-ray, DVD, Video on Demand, and Instant Streaming. In Volume 4, Episode 4.2, Steve Biodrowski reviews the Blu-ray discs of FRANKENWEENIE and JOHN CARTER; Dan Persons waxes over the Nazi-on-the-Moon spoof IRON SKY; and Lawrence French offers up William Castle’s HOMICIDAL (1961) as an effective pinch-hitter horror film in place of PSYCHO (1960).
Also on the agenda: a look at FrightPIX, the new free streaming channel of horror films available through Roku; and a rundown of home video releases for the weeks of Tuesday, January 22 & 29.


NOTE: If you prefer reading to listening, details of the week’s home video releases are listed below…

JANUARY 29 HOME VIDEO RELEASES

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Click to purchase

Tuesday, January 29, 2013 sees the release of three titles that have actually been available on Video on Demand for two weeks through the magic of “Early Release.” This is a new strategy, in which films are available through downloading and streaming services before arriving on store shelves in hard copies. The early release price (for purchase only, not rental) is considerably higher; now that the films are on store shelves, the price for streaming and downloading has dropped, and rental options are available. The films in question are:

  • HOTEL TRANSYLVANIA, now on single disc DVD; on triple disc Blu-ray and DVD and UltraViolet Digital Copy; and quadruple disc with a 3D Blu-ray.
  • PARANORMAL ACTIVITY 4, which arrives in two packages: the first includes only DVD; the second includes both DVD and Blu-ray, plus a Digital Copy and Ultra-Violet. Both the Blu-and the DVD include the original theatrical cut and an unrated extended cut, which runs approximately ten minutes longer. The Blu-ray also offers a half-hour of “recovered files” – basically, deleted scenes – but there are no other bonus features. Amazon.com still has the unrated version available through their Instant Streaming service
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  • THE AWAKENING: This excellent British ghost story from 2011, which got a small U.S. release last year, is now available on DVD and on Blu-ray; the steaming version is still available here. The latter includes numerous behind-the-scenes bonus features: deleted scenes; behind-the-scenes featurettes; an interview with director Nick Murphy; a look at belief in the supernatural and in spiritualism.

And speaking of “Early Release,” SILENT HILL: REVELATION goes on sale via Video on Demand and download this week. Expect discs to hit store shelves in a couple weeks.
Also out this week:
BATMAN: THE DARK KNIGHT RETURNS arrives on Blu-ray combo pack and on DVD and on Video on Demand.

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click to purchase

WHITE ZOMBIE: The 1932 black-and-white classic, starring Bela Lugosi, reappears in a newly remastered transfer, available on Blu-ray and on DVD. These discs port over some of the bonus features from the Roan Group’s 1999 DVD (including a re-release trailer and an “Intimate Interview” with Lugosi), but not the excellent audio commentary by Gary Don Roades. WHITE ZOMBIE is a public domain title, available in lots of cheap DVD versions, but this new version from Kino Classics has been digitally restored – which you will appreciate if you recall the Roan version, which was good but still had problems. Source material was a 35mm fine grain master; the raw and enhanced versions are included.
Midnight Movies Volume 9 offers a zombie double bill of HELL OF THE LIVING DEAD and NIGHTMARE CITY – two Italian gorefests from the 1980, following in the wake of DAWN OF THE DEAD (1979) and ZOMBIE (1980). The former is also known as VIRUS and as NIGHT OF THE ZOMBIES, and reuses music from DAWN OF THE DEAD. The later stars actor Hugo Stiglitz, after whom Quentin Tarantino named a character in INGLORIOUS BASTERDS.

JANUARY 22, 2013 HOME VIDEO RELEASES

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Since we posted no Lasberblast – either column or podcast – for last week, we will make it up to you by listing the titles this week, but rest assured, you did not miss much. The only new titles wer DEATH RACE 3: INFERNO, which made its direct-to-video debut on DVD and Blu-ray, and UNIVERSAL SOLDIER: DAY OF RECKONING, which arrived on store shelves after a pre-theatrical VOD debut last year, followed by brief, limited exposure in theatres.
Older titles resurrected on disc include several 1980s titles and a bunch of 1990s obscurities from Charles Band’s now-defunct Full Moon Productions. The 1980s titles include:

  • Wes Craven’s DEADLY BLESSING in a new Collector’s Edition on Blu-ray and DVD. This 1981 is from a few years before Craven hit big with A NIGHTMARE ON ELM STREET. You can also sense Craven inserting some NIGHTMARE style dream scenes toliven up the slasher-style scenario.
  • CUJO, based on the Stephen King novel and starring Dee Wallace (E.T.) sees new life on DVD and on Blu-ray.
  • THE INCUBUS (1982) with John Cassavetes flts into stores on DVD. The film was directed by John Hough, who has a couple of good titles to his name (TWINS OF EVIL and THE LEGEND OF HELL HOUSE), but this is nowhere near as good. There is some nice atmosphere, but the script is problematic at best, and one suspects that Cassavetes was earning a pay check to fund one of his own directorial efforts.

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click to purchase

Meanwhile, the Full Moon titles arrive on DVD are: LURKING FEAR (1994), MONSTROID, SEED PEOPLE (1992), and DARK ANGEL: THE ASCENT (1994). The last of these is a mildly amusing horror-comedy, featuring a female demon who ventures up from Hell and falls in love with a mortal man. The basic concept (the denizens of Hell are demonic, but they are doing God’s work by punishing sinners) is actually rather interesting.
That’s all for now. Since Captain Sparky has defeated the flying saucers, all is safe.
Or is it?
Purchase these and other videos in the Cinefantastique Online Store.
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John Carter; A Thousand Words & Silent House – CFQ Spotlight Podcast 3:10

Do you have a lee-zance for zose minkeys?: Taylor Kitsch gets a bonus in simians in JOHN CARTER.
Do you have a lee-zance for zose minkeys?: Taylor Kitsch gets a bonus in simians in JOHN CARTER.

Buck Rogers, Flash Gordon, James Kirk, Luke Skywalker. Bleep those guys; as an interplanetary adventurer, John Carter has ’em all beat by at least ten years. Bringing the star of   Edgar Rice Burroughs’ series of Barsoom novels to the screen has been a long-sought-after passion project for a number of filmmakers, including Bob Clampett, Ray Harryhausen, John McTiernan, and Robert Rodriguez, but it was Andrew Stanton — previously known for his work at Pixar, including directing FINDING NEMO and WALL-E — who finally got the chance, with Disney as his generous backer. Now his big-budget, live-action debut (laced with a healthy portion of computer-generated characters) JOHN CARTER, based on the debut tale A Princess of Mars, has come to the big screen, with Taylor Kitsch, Lynn Collins, and Willem Dafoe starring.
beabetterbooktalker.com‘s Andrea Lipinski joins Cinefantastique’s Lawrence French and Dan Persons to to soak in the magnificent vistas of Mars and see whether the adventure matches the scenery. Also: Andrea gives her thoughts on the Eddie Murphy comic fantasy, A THOUSAND WORDS, and Dan talks about the real-time horror film SILENT HOUSE, the surreal Swedish musical fantasy THE SOUND OF NOISE, and the borderland whatsit TIM AND ERIC’S BILLION DOLLAR MOVIE. Plus: What’s coming to home video.
Technical Note: The long running time for this show means we’ve had to settle for lower audio quality. Just imagine it’s 1933 and you’re listening to Little Orphan Annie. Keep drinking your Ovaltine!

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New 'John Carter' TV Spot

Disney’s feature film adaptation of the Edgar Rice Burroughs’ (creator of Tarzan) sci-fi/fantasy hero is due in  3D, 2D and IMAX 3D theaters on March 9th.
Taylor Kitsch, Lynn Collins, Samantha Morton, Mark Strong, Willem Dafoe (voice & mocap), Ciaran Hinds, Dominic West, James Purefoy, Daryl Sabara, Polly Walker, Bryan Cranston, and Thomas Hayden Church star in the film, directed by Andrew Stanton from a screenplay by Stanton, Mark Andrews and Michael Chabon.
Based on Burrough’s first novel “A Princess of Mars”.
Yahoo Movies via paplbonphanatix3

'Battleship' Trailer #2

BATTLESHIP’s new trailer looks like it has great CGI FX (it should for what it cost), but still I have to say: What, other than having much of it’s action being set at sea on Naval ships does this alien attack film have to do with the Hasbro board game?
BATTLESHIP stars Liam Neeson (THE PHANTOM MENACE), Taylor Kitsch (JOHN CARTER), Alexander Skarsgard, Brooklyn Decker and Rihanna.
Directed by Peter Berg (HANCOCK) from a screenplay by Jon & Erich Hoeber, this $250 sci-fi actioner is due out May 18th, 2012 from Universal Pictures.
I live between hope and dread that someone will indeed say “You Sunk My BATTLESHIP!”
battleship
Trailer via Joeblo’s Youtube page.

'John Carter' Poster & Pics

carter-one-sheetIn these pictures from Walt Disney Studio’s JOHN CARTER, we see Carter (Taylor Kitsch) with Dejah Thoris (Lynn Collins) as well as the CGI versions of Tars Tarkas (voiced by Wilem Dafoe) and Carter’s Martian”calot” Woola, a sort of cross between a six legged reptile and a guard dog.  
Kitsch and  Collins both appeared ing X-MEN ORIGINS: WOLVERINE (as Gambit and Silver Fox, respectively).
Directed by Andrew Stanton (WALL-E) from a screenplay by Stanton, Mark Andrews and Michael Chabon, JOHN CARTER is based on Edgar Rice Burroughs’ A Princess of Mars.  
The film, orginally to be called JOHN CARTER OF MARS, is due in theaters in 2-D and 3-D March 9th, 2012.

JOHN CARTER
Nature-gal Dejah must have felt chilly that day.

Personally, I think the settings and character/creature designs are extremely mundane and disappointing, considering the cost of the production and the the fact that they seem to basically ignore Burrough’s  vividly described versions.
JOHN CARTER & Tars Tarkas
Tars Tarkas looks like a pin-head, rather sporting than the novel's spherical cranium.

I realize a Disney film (and any general audience version) couldn’t feature essentially nude characters, but other than Kitsch’s bared chest, you’d expect to see more skln in a wholesome 1960’s Beach Party movie than the released stills and trailer seem to suggest.
The oddly Muppet-y version of Woola
The oddly Muppet-y version of Woola

Barsoom Dogfight
Barsoom Dogfight