CFQ Laserblast Podcast 2:19.2: I Am Number Four, Solaris, L'Age d'Or & More

Death and Resurrection in SOLARIS (1972).
Death and Resurrection in SOLARIS (1972).

In this edition of Cinefantastique’s weekly round-up of horror, fantasy, and science fiction films on home video, Lawrence French, Dan Persons, and Steve Biodrowski gag and guffaw over new releases I AM NUMBER FOUR, GNOMEO & JULIET, and DEATH HUNTER: WEREWOLVES VS. VAMPIRES. If the new titles leave something to be desired, your trio of CFQ correspondents find solace in some older films making comebacks on DVD and/or Blu-ray: SOLARIS, Tarkovsky’s 197s masterpiece of science fiction; L’AGE D’OR, the surreal collaboration between Luis Bunuel and Salvador Dali; and TWIN DRAGONS, a martial arts comedy starring Jackie Chan as identical twins, separated and birth but linked by a psychic connection. Also out on home video this week:  FERTILE GROUND, IMPOSTER, and more.

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I Am Number Four: Cinefantastique Spotlight Review Podcast #5

iamnumberfour1
Who are you? Why, I am Number Four – or at least that’s what the title tells me. But I am not a number; I am a free man! No, wait – that’s THE PRISONER. This week’s topic of conversation on the newly re-christened Cinefantastique Spotlight Review Podcast is I AM NUMBER FOUR, the new teen-oriented science-fiction action flick from producer Michael Bay, distributed by DreamWorks. Why “Number Four,” you ask? Well, the film itself won’t tell you, so if you want to find out, you should listen in as guest commentator Andrea Lipinski (of the Chronic Rift) reveals all the details from the source novel that the screenplay not-so-cleverly left out. Also chiming in our CFQ podcast regulars Dan Persons (who remarks on the film’s debt to SMALLVILLE and BUFFY THE VAMPIRE SLAYER, by way of screenwriters Alfred Gough & Miles Millar and Marti Noxon) and Steve Biodrowski (who reveals that even the most disappointing films can be redeemed by cute animals such as lizards and dogs).

I Am Number Four review

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While there is no rule in Hollywood explicitly stating that screenwriters should avoid ripping off characters as legendary as Superman, the makers of Dreamworks’s I AM NUMBER FOUR should have at least been warned. Ironically coming from SMALLVILLE creators Alfred Gough and Miles Millar, I AM NUMBER FOUR employs all the usual tricks for developing a sci-fi franchise, without bothering to leave behind an original piece of work.

I AM NUMBER FOUR stars relative newcomer Alex Pettyfer (whose tweeny-sounding BEASTLY was held back from release last year) as the eponymous Number Four, one of a group of nine infant aliens sent to Earth to avoid being annihilated by the evil Mogadorians. Isn’t that a scary name for the villains? As the movie opens, the nine infants have either (a) grown to become high school age or (b) been murdered at the hands of the main bad guy, cleverly identified in the end credits and IMDB as “Mogadorian Commander” (Kevin Durand). It’s a very lucky plot device that allows the other Numbers to know automatically that their counterparts are dead; with the death of Number Three, Number Four is moved to Paradise, Ohio so he can be kept safe. We know this sucks because, like, there’s rain and bullies and stuff when he gets there.

I cannot provide expert commentary on the citizens of scenic Paradise, but I can say that they must have a lot of designer clothing outlets and outrageous real estate prices. As Number Four hides from the Mogadorians under the anonymous-sounding name of “John Smith”, cinematographer Guillermo Navarro (the artist behind 2006’s PAN’S LABYRINTH) takes us on a tour of a “miserable” town that includes natural waterfalls, a flowing river, bright sunlight, and of course, beautiful characters. One in particular catches John’s eye – the hipster-esque Sarah (Dianna Agron of GLEE) – because she enjoys taking photographs of people who don’t know she’s doing it.

Since when was this quality so attractive that it inspired complete the stupidity that John displays? Then again, John is not just “anybody”, but herein lies one of the lamest, most nonsensical plot developments in recent history. Number Four is meant to be keeping a low profile, staying indoors at all possible moments, and especially not talking to anyone with a camera and USB plug.  No matter how much chemistry Pettyfer and Agron appear to have – and luckily for the film, there is undeniably some – there is no reasonable explanation for why these two people should be together. Consider this my objection for any and all future extraterrestrial weddings.

Director D.J. Caruso knows the film’s faults, however, and he encourages his actors to give every cliché and line of dialogue their best efforts. Durand, as the ridiculous-looking Mogadorian leader, has perfected the art of being scary; to date, I’ve seen him play a bounty hunter, an assassin, a military commander, and now, a Voldemort look-alike. Here, he allows every threat to seem like he’s spitting it out through his sharp teeth and begging for someone to hit him in the face. Pettyfer, new to me but apparently one of Hollywood’s new hot properties, has a chance to sculpt a career from this film. He’s given some terrible lines like, “I don’t want to be a prisoner” and “All I think about is you,” but I prefer his version of tortured non-human teen to that of, say, Robert Pattinson. Similarly, Agron’s character doesn’t have much to say, but when she says it, there is an oozing of sweetness.

Unfortunately, I AM NUMBER FOUR makes the mistake of employing the spectacular Timothy Olyphant as Number Four’s guardian, Henri, and giving him absolutely nothing to do. Olyphant is a good actor, one with two hit television leads under his belt and a sense of comic timing that makes the first half of the film tolerable. Nonetheless, it is an intolerable character he plays. Henri’s entire life is apparently based on protecting Number Four, transporting him, feeding him, and paying for all his human clothes, but if he had succeeded in any way, the film could not have been. If I was assigned to be the only bodyguard for someone whose legacy was to perpetuate a race of royal, beautiful, powerful creatures for future sequels, I would probably have other methods of monitoring my precious charge than with my iPhone.

I Am Number Four Film
Dianna Agron and Alex Pettyfer

I AM NUMBER FOUR (February 18, 20100). Directed by: D.J. Caruso. Written by: Alfred Gough & Miles Millar and Marti Noxon, based on the novel by James Frey & Jobie Hughes. Cast & Characters:

  • Number Four/John Smith – Alex Pettyfer
  • Henri – Timothy Olyphant
  • Number Six – Teresa Palmer
  • Sarah – Dianna Agron
  • Sam – Callan McAuliffe
  • Mogadorian Commander – Kevin Durand

I Am Number Four: February 18

Walt Disney Studios releases this science fiction adventure about nine alien teen-agers who seek sanctuary on Earth after their planet is obliterated. Unfortunately, their enemies show up and begin hunting them down, one by one. As you can guess from the title, our hero is fourth in line for extermination. D. J. Caruso directed from a script by Alfred Gough & Miles Millar and Marti Noxon, based on the novel by Jobie Hughes and James Frey (under the pseudonym “Pittacus Lore”). Alex Pettyfer, Timothy Olyphant, Teresa Palmer, and Dianna Agron head the cast.
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'I Am Number Four' Poster + Trailer

If you haven’t seen it before, here’s the trailer for Walt Disney Pictures’ I AM NUMBER FOUR, the teen alien on the run Sci-Fi actioner directed by D.J. Caruso (DISTURBIA). Below, see the first poster for the film. 

” Three are dead. Who is Number Four?  An extraordinary teen, John Smith (Alex Pettyfer)  is a fugitive on the run from ruthless enemies sent to destroy him. Changing his identity, moving from town to town with his guardian Henri (Timothy Olyphant), John is always the new kid with no ties to his past.
In the small Ohio town he now calls home, John encounters unexpected, life-changing events—his first love (Dianna Agron), powerful new abilities and a connection to the others who share his incredible destiny.”

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Click to Enlarge

Screenplay by Alfred Gough & Miles Millar (SMALLVILLE) and Marti Noxon (BUFFY THE VAMPIRE SLAYER), based on the ‘Lorien Legacy’  novel of the same name by “Pittacus Lore” (Jobie Hughes and James Frey[BAD SEED]).
Due in theaters February 18th, 2011.
Does the premise remind you of strongly of the  short-lived  1982-83 THE POWERS OF MATTHEW STAR TV series, or is that just a sign I’ve seen to many old TV shows?