ENDER'S GAME: CFQ Spotlight Podcast 4:42

Asa Butterfield (center top) rallies a corps of child warriors in ENDER'S GAME.
Asa Butterfield (center top) rallies a corps of child warriors in ENDER'S GAME.

Hard enough bringing a science fiction novel as beloved, respected, and influential as ENDER’S GAME to the screen — the scenario in which a young boy is groomed for leadership in an interstellar war through a psychological process that both isolates him and nurtures his proclivity for violence would be a challenge for the finest of directors. Then, throw in author Orson Scott Card going on record with some repugnant thoughts about gay rights (which have been disavowed by people involved with the production), and the factors arrayed against success, both within and without the project, are raised exponentially. So it has to be said that director Gavin Hood has accomplished this not-inconsiderable challenge by rallying a respected cast — including Asa Butterfield as reluctant military mastermind Ender Wiggin, plus Harrison Ford and Ben Kingsley as the soldiers responsible for turning innocent children into remorseless killers — to an adaptation that, to a great extent, honors the book’s challenging themes. The question remains: Does that make a good film?
And that, it turns out, is a more complicated issue. In the most dramatic divergence of opinion ever heard on the Spotlight, beabetterbooktalker.com‘s Andrea Lipinski joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to debate what Hood and team have gotten right in this big-budget adaptation, and where they’ve faltered. It’s an energetic, revealing debate about one of the most important tales in science fiction literature, and whether its path to a mainstream audience was a worthy one. Plus: What’s coming to theaters next week.

Hugo (Capsule: The Muppets): CFQ Spotlight Podcast 2:46.1

Gears Set in Motion: Asa Butterfield and Chloë Grace Moretz uncovers the true heart of film in HUGO.
Gears Set in Motion: Asa Butterfield and Chloë Grace Moretz uncover the true heart of film in HUGO.

At first glance, it doesn’t seem like there’d be much intersect between HUGO — the fanciful film based on Brian Selznick’s vividly illustrated novel, The Invention of Hugo Cabret — and director Martin Scorsese. It’s set in a Parisian railway station circa the 1930’s, so there’s little opportunity for Brooklyn accents; it’s about an orphan boy (Asa Butterfield) who tends to the clocks in that station while hiding out in its secret passages, so there’s little chance we’ll be seeing Joe Pesci kick someone’s ribs in; and it’s driving force is an automaton that contains within its works a secret about the station’s not-so-kindly toy vender, Papa Georges (Ben Kingsley), so forget about hearing any of the traditional, four-letter-word-laced dialogue this time around. It’s only when you find out what that secret is that you realize not only why Scorsese is the perfect choice for this film, but why this may be the film he’s been waiting his entire career to make.
beabetterbooktalker.com‘s Andrea Lipinski joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to explore how a tale about the founding father of fantastic film has stirred a legendary director to create his sweetest and most enchanting work, and how it in turn pays tribute to those who seek to instill the sense of wonder in audiences around the world.
Also: Andrea gives her take on THE MUPPETS. Plus: What’s coming in theaters.

[serialposts]