Robert Garcia and Joe Desris, who wrote the cover story for Cinefantastique’s double issue on the 1966 BATMAN television show and 1990s animated Batman series, recently had their book BATMAN: A CELEBRATION OF THE CLASSIC TV SERIES published Titan Books. It’s available from Amazon.com here.
It almost borders on amazing that The Valdemar Legacy (La Herencia Valdemar) has not been embraced as a cult item by horror fans around the globe. The Spanish production name-checks such genre icons as Poe (borrowing the name “Valdemar” from one of his stories) to Lovecraft (the alleged source of inspiration for the screenplay) to Aleister Crowley, Bram Stoker, …
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If you enjoy cinematic outrageousness for its own sake, you may have a good time with <strong>Tomie: Unlimited</strong>; unfortunately, the film’s real strength is buried beneath the special effects. For those of you who do not know, Tomie is the also-ran in the Japanese creepy girl sweepstakes. If Sadako (Ring) and Kayako (Ju-on) are Dracula and …
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Remember when J-Horror and K-Horror were a thing, and Asian filmmakers could barely churn out titles fast enough for Hollywood to remake them? Well, here is a relatively late example of the form, an elegantly crafted Korean ghost story, Muoi: Legend of a Portrait (2007), which should please fans who cannot get enough of a good …
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This movie has everything – well, almost everything. It has a dwarf; a mute bald-headed assistant; an old lady who shows up at the beginning of the story, looking young; another old lady who shows up at the end of the story looking old; a bunch of other ladies immobilized like mannequins on display; and an artistic Japanese vampire …
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An atmospheric and well-executed genre piece from Nobou Nakagawa, Japan’s equivalent to Terence Fisher. If Japanese director Nobou Nakagawa is known at all in the U.S., it is because of Jigoku (1960), an art-house perennial and the recipient of a Criterion Collection release on DVD and streaming services. This might lead western audiences to view Nakagawa as …
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Two decades after TETSUO: THE IRON MAN, writer-director Shinya Tsukamoto returns to the franchise that he last visited in TETSUO II: BODY HAMMER. The results should please fans eager for another helping of science-fiction body horror, featuring a hapless human transforming from mere flesh and blood into a mutant metallic hybrid, but despite the addition …
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Parmount Pictures recently created a new YouTube channel, The Paramount Vault, which streams free films from the studio’s library. Along with clips from classic titles, there are approximately 150 full length movies. Of course, these are not premium titles but lower end stuff for which services such as Netflix might not be inclined to pay …
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Despite some forays into computer-generated animation (Flushed Away, Arthur Christmas), Aardman Animations remains committed to the art of stop-motion, as evidenced by their most recent theatrical release, 2015’s Shaun the Sheep Movie, which sees the company struggling but ultimately succeeding at expanding their television series a feature film. The movie lurches to a shaky start, as if uncertain …
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“You are all condemned, for crimes against king and kingdom, to hang… to dangle until you are but dead, to be then cut down still alive, to have your entrails drawn out and thrust into your own mouths, to be further hanged, then quartered like the carcasses of beef you are. You number five hundred, …
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